| |
- 在本院任職期間：2002年1月迄今
-
- 學歷：
- 美國芝加哥大學人類學博士（1998）
- 美國Bryn Mawr College
學士（1986）
-
- 現職：
- 中央研究院民族學研究所副研究員（2010.3--
）
經歷： 中央研究院民族學研究所助研究員（2002.1.12--2010.3
）
澳洲新南威爾斯大學講師（2000.1
）
【研究專長】
歌仔戲、布袋戲、人偶設計、流行文化與大眾媒體、表演研究、文化研究、性別研究
【著作目錄】更新日期：2011.10.06
學位論文
|
1998 |
“Drag
Melodrama/ Feminine Public Sphere/
Folk Television: 'Local Opera' and
Identity in
Taiwan.”
Ph.D. Thesis, University of Chicago,
Department of Anthropology. August
1998. |
期刊論文
|
2010 |
“Animation: The New
Performance?” Journal
of Linguistic Anthropology ,
20(2):422-438.
(SSCI) |
|
2009b |
「懷舊的共同體與再合成的自我：金枝演社與台灣春風歌劇團的新胡撇仔戲」。戲劇研究，第4期，頁1-29。(“The
Nostalgic Community and the Reintegrated
Individual: The ‘New
Opeila’
Performances of the Golden Bough Theater
and the Formosa Zephyr Opera Troupe. ”
Journal of Theater Studies vol.4: 1-29.)
[PDF] |
|
2009a |
“Tai/ Kuso/ Camp:
New Opeila and the Structure of
Sensibility.”
Inter-Asia Cultural Studies,
10(3):341-360.
(SSCI) |
|
2007 |
“Remediation
and Local Globalizations: How Taiwan’s
‘Digital Video Knights-errant Puppetry’”
Writes the History of the New Media in
Chinese.
Cultural Anthropology
, 27(2), 285-313.
(SSCI) |
|
2005b |
First as Farce, Then
as Tragedy: Popular Allegory and
National Analogy in Contemporary
Taiwanese Opera. Taiwan Journal of
Anthropology 3(2):45-77.
(TSSCI)
[http://www.ioe.sinica.edu.tw/chinese/publish/sub-ch/04/ch04-bks01.htm] |
|
2005a |
胡撇仔的多樣時空：從民族／國家之邊緣看歌仔戲。民俗曲藝 148:7-42。（The
Heterogenous Time/Space of O-pei-la:
Reading Koa-a-hi Below and Beyond the
Nation. Journal of Chinese Ritual,
Theatre and Folklore, 148:7-42.）
(TSSCI)
[PDF] |
1999 |
“Bodily Praxis and Identity in Taiwanese
Opera. ”GLQ:
A Journal of Gay and Lesbian Studies,
5(4):585-604. |
專書（含論文集）之一章
|
2010 |
“BL/Q: The Aesthetics of Pili Puppetry
Fan Fiction.”
In
Popular Culture in Taiwan: Charismatic Modernity.
Marc L. Moskowitz, ed.
Routledge. Pp.149-166. |
|
2008b |
“Pop Culture Icons: Religious
Inflections of the Character Toy in
Taiwan.”In
Mechademia #3. Frenchy
Lunning, ed. Minneapolis: University of
Minnesota Press. |
|
2008a |
“Lesbianism
and Taiwanese Localism in the Film The
Silent Thrush.”In
AsiaPacifiQueer: Rethinking Gender and
Sexuality in the Asia-Pacific. Peter A.
Jackson, Fran Martin, Mark MacLelland
and Audrey Yue, eds. Champaign, IL:
University of Illinois Press. |
|
2006 |
“Informationalized Affect: The Body in
Taiwanese Digital-Video Puppetry and
COSplay.” In Embodied Modernities:
Corporeality, Representation, and
Chinese Cultures. Fran Martin and
Larissa Heinrich, eds.
Honolulu: University of Hawai'i
Press. |
|
2005 |
「霹靂戲迷的COSplay（角色扮演）—臺灣年輕女性的資訊化身體表演」，刊於臺灣布袋戲與傳統文化創意產業研討會論文集。宜蘭：國立傳統藝術中心。
[PDF] |
| 2002b |
“Race, Gender, and Historical
Narrative in the Reconstruction of a
Nation: Remembering and Forgetting
the American Civil War (Bernard S.
Cohn and Teri Silvio).”In From
the Margins: Historical Anthropology
and Its Futures. Brian K. Axel, ed.
Durham, NC: Duke University Press. |
| 2002a |
“Chinese Opera, Global Cinema, and
the Ontology of the Person: Chen
2002 Kaige's Farewell My Concubine.”In
Between Opera and Cinema.
Jeongwon Joe and Rose Theresa, ed. New
York:
Routledge. |
學術會議／研討會論文
| 2011d |
“Virtual
Agencies: Gender, Religion, andCharacter
Toys in Taiwan.”
Presented at
the
“Light
and Shadow in East Asia: Health, Wealth
and Hungry Ghosts”
International Conference,
National
Museum of Ethnology, Osaka, Japan,
September 8-11. |
| 2011c |
“Divine
Cuteness: on the Intimacy of Deity
Figurines.”
Presented at
the East Asian Popular Culture
Association Inaugural Conference, Taipei, September 1-4. |
| 2011b |
“Figuring (Out) Identity:
Vinyl Toy Design in
Taiwan and Hong Kong.”
Presented at
the annual conference of the Association
for Asian Studies (AAS),
Honolulu,
Hawaii, March 31-April 3. |
| 2011a |
“Performance and Animation, Self-making
and World-Making.”
Presented at
the World Craft: The Business and
Culture of Gaming in East Asia
Conference,
University
of California, Berkeley, February 25-26. |
| 2010d |
“Virtual Agencies:
Gender, Religion, and Character
Toys in
Taiwan.”
Presented at
the
Pop Culture in Asia: Adaption,
Convergence and Challenges Conference,
organized by the National University of
Singapore Department of History in
conjunction with the 2010 Singapore
Toys, Games and Comics Convention,
Singapore,
Dec. 10-12. |
| 2010c |
“Characterizing
Marginality: Designer Toys
in Taiwan and Hong Kong.” Presented
at 台灣人類學與民族學學會 (TSAE)年會,
Institute of Ethnology, Academia Sinica,
Taipei, October 2-3. |
| 2010b |
“Making Gods Cute: on Intimacy and
Alienation in Contemporary Taiwan.”
Presented at
the annual meeting of the Association
for Asian Studies, Philadelphia, March
25-28. |
| 2010a |
“Notes Towards an Anthropology of
Animation.”
Presented at the
Anthropological Futures Conference,
Institute of Ethnology, Academia Sinica,
June 12-13. |
| 2009c |
“Baudrillard in Taiwan.”
Presented at
the annual meeting of the American
Anthropological Association,
Philadelphia, Dec. 2-6. |
| 2009b |
“Animation: The New Performance?”
Presented at
the Asian Digital Cultures 2 Conference,
Institute of Ethnology, Academia Sinica,
Taipei, July 7-8. |
| 2009a |
“Wuxia Ethics and Cute Sprouts:
Masculine and Feminine Modes of
Engagement with the Pili Puppetry
Serials.”
Presented at the 2009 SEAA/
TSAE Meetings, Institute of Ethnology,
Academia Sinica, Taipei, July 2-5. |
| 2008b |
“Wuxia Ethics and Cute Sprouts:
Masculine and Feminine Modes of
Engagement with the Pili Puppetry
Serials.”Presented at Charismatic
Modernity: Popular Culture in
Taiwan, University of South Carolina
Center for Asian Studies annual Taiwan
Studies conference, October 4-5,
Columbia, South Carolina. |
| 2008a |
“National Nostalgia and Subcultural
Subversions: Reflexivity and Community
in ‘New Opeila’.”
Paper presented at the
International Workshop on Narration and
Genre. Institute of Ethnology, Academia Sinica, Taipei, June 19-20. |
| 2007c |
“Digital Video Puppetry: Modeling
Taiwan-Centered Globalization.”
Presented at
the Ubiquitous Media: Asian
Transformations Conference, Tokyo, July
13-16, Tokyo University. |
| 2007b |
“Writing Ethnography In and For an
Adopted Home: Questions of Address.”
Presented at
the Inter-Asia Cultural Studies Society
Conference, Shanghai, June 15-17,
Shanghai University. |
| 2007a |
“World-class Localism vs. Local
Cosmopolitanism: Transformations in
Taiwanese Opera Since the 1990s.” Presented at
the Indigeneities and Cosmopolitanisms:
CASCA-AES Conference, Toronto, May 8-12,
University of Toronto. |
| 2006b |
“Puppets and Vinyl Toys: Transitional
Objects for Kidults.”
發表於「人類學與精神分析的對話」工作坊第二場會議，國立清華大學，12月10日。 |
| 2006a |
“The Ang-a in the Age of Mechanical
Reproduction.”Paper presented at
the Cultural
Studies Association Crossroads Meeting,
Istanbul, July 20-23, Istanbul Bilgi
University. |
| 2005c |
“What
Post-field? ”
Paper presented at the
annual meetings of the American
Anthropological Association, Washington,
DC, November 30-December 4. |
| 2005b |
「霹靂戲迷的COSplay (角色扮演)
– 臺灣年輕女性的資訊化身體表演」。發表於「
臺灣布袋戲與傳統文化創意產業研討會」，國立傳統文化中心，8月26-27日。 |
| 2005a |
“First as Farce, Then as Tragedy:
Popular Allegory and National Analogy in
Contemporary Taiwanese Opera.”Paper
Presented at Rethinking
Modern Chinese History: An International
Conference to Celebrate the 50th
Anniversary of the Institute of Modern
History, Institute of Modern History,
Academia Sinica, Taipei, June 29 - July
1. |
| 2003c |
“Gendering Informationalism: Realism and
Reflexivity in Taiwanese Video Puppetry
Serials and Fan Culture.”
Paper presented at the
Annual Meeting of the American Anthropological Association
(AAA)
, Chicago, November 19-23. |
| 2003b |
“Animating Globalization: The Pleasures
of Media Overload in Television Puppet
Serials.”
Paper presented at the meeting
of the Association for Asian Studies,
New York, March 27-30. |
| 2003a |
“Lesbians and Localism: Traditional
Opera Actresses in
Taiwan
and Hong Kong Cinema in the 1990s.”
Paper presented at International
Conference of Asia Scholars (ICAS),
Singapore, Aug. 19-22. |
| 2002 |
“The Human Body as Medium in
Taiwanese Television Puppetry and
Its Fan Culture.” Paper
presented at the meetings of the American Anthropological
Association, New Orleans, Nov. 20-24. |
研究／計劃報告
|
2008.08~2011.07 |
行政院國科會補助專題研究計畫「製造人物：台灣、香港、中國大陸文化創意產業中的工作、地方文化與個人主義」 |
|
2006.08~2008.07 |
行政院國科會補助專題研究計畫「90年代後的歌仔戲：國家認同、多元文化主義、階級美學」 |
|
2005.08~2006.07 |
行政院國科會補助專題研究計畫「台灣的收集實踐：消費資本主義與地方文化認同」 |
|
2003.08~2005.07 |
行政院國科會補助專題研究計畫「霹靂布袋戲與戲迷文化︰台灣ｅ世代人的性別認同與人觀」 |
學術書評
|
2010b |
Book review of Coming of Age
in Second Life: An Anthropologist
Explores the Virtually Human (Tom
Boellstorff) and Making Virtual
Worlds: Linden Lab and Second
Life (Thomas Malaby) (in Chinese). In 台灣人類學刊 (Taiwan
Journal of Anthropology) 8(2):
151-154. |
|
2010a |
Review of Henry Jenkins’ weblog, “Confessions of an
Aca-Fan.” In American Anthropologist. 112(2): 320. |
|
2007 |
Book review of Nancy Guy’s Peking Opera and
Politics in
Taiwan.
International Journal of Asian
Studies. |
|
2003b |
Entry for "Xu Feng" (徐楓). In Biographical
Dictionary of Chinese Women: The
Twentieth Century, 1912-2000. Lily
Xiao Hong Lee, Sue Wiles, and A. D.
Stefanowska, eds. Sydney: M. E. Sharpe. |
|
2003a |
Live Performance in a World of Recordings,
Broadcasting. (conference report)
Anthropology News (March): 13. |
|
2002 |
Book review of Christine Yano’s Tears of Longing:
Nostalgia and the Nation in Japanese
Popular Song. American Ethnologist
29(4): 1013. |
|
|
|
|
