中研院民族所

我的研究關注在表演藝術的傳統、媒體科技以及當兩者交錯所發生的變化。博士論文（1998年，芝加哥大學人類學系）進行與臺灣歌仔戲女演員及她們的粉絲的田野調查，論文焦點在歌仔戲歷史中的跨性別表演傳統、女演員及粉絲如何去思考台上與台下的性別表現、以及歌仔戲界中的性別概念從廟口的外台戲表演發展至商業劇場、進入電影及電視後的變化。下一個計畫是關注霹靂國際多媒體公司的「數位武俠布袋戲」系列，霹靂布袋戲製作團隊及霹靂迷的次文化。後來研究題目從霹靂布袋戲擴展到各種不同類型的人偶，開始拜訪神明公仔、動漫角色模型等等的設計師及收藏家。將由夏威夷大學出版社出版的書，「偶、神明和品牌：從臺灣論動漫時代」（Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan），是匯集以上研究之大成，也包含一些對日本動漫粉絲的田野調查。這本書要發展出來一個行動性投射（animation）的人類學概念，可以跟表演（performance）的概念一樣做為跨文化、跨世代比較的平台。如果表演是透過身體表現把身份認同具體化，那麼行動性投射是把生命力、靈魂、意志、等人類特色投射到物質界。我觀察到臺灣社會裡不同領域的行動性投射的實踐：娛樂、民間信仰、經濟企業及國家認同的建構。最近的研究計畫著眼在東亞及東南亞各處的藝術玩具及當地漫畫界的擴張，藝術玩具及當地漫畫界都在次文化及創意產業的交會處，研究將聚焦於工作與娛樂、地方美學及全球市場邏輯以及階級、性別和國家身分認同等方面是如何用新的方式建構並結合。

研究興趣: 表演藝術, 媒體科技, 性別, 創意產業

研究地點: 台灣, 香港, 中國, 新加坡, 韓國, 泰國, 印尼

• 美國芝加哥大學人類學博士（1998）
• 美國Bryn Mawr College 學士（1986）

• 中央研究院民族學研究所研究員（2020.04 - ）

• 流行文化與大眾媒體、歌仔戲、布袋戲、人偶設計、表演研究、文化研究、性別研究

• 臺灣、香港、中國、東南亞

• 專書、論文集 (點擊開啟)

  • 2019-09-30
    Teri J. Silvio, 2019, <I>Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan</I>, 290 pages, Hawaii, USA: University of Hawaii Press.
• 主編之專書(論文集) (點擊開啟)

  • 2018
    Teri J. Silvio, Lily H. Chumley, 2018, <I>Culture, Theory and Critique--After creativity: labour, policy, and ideology in East Asian creative industries</I>, 75-192 pages, London: Taylor & Francis.
• 期刊論文 (點擊開啟)

  • 2017-07
    Teri J. Silvio, accepted, “Crying Songs and Their Fans: The Material and Affective Economy of Taiwanese Opera, 1945-1975”, <I>POSITIONS-EAST ASIA CULTURES CRITIQUE</I>, 25(3), 469-505.
  • 2018-06
    Teri J. Silvio, 2018, “Representing creative labour and identity in Singaporean graphic novels: Sonny Liew and Troy Chin”, <I>Culture, Theory and Critique</I>, 59(2), 139-157.
  • 2013-12
    Teri Silvio, 2013, “Permanent Alien Residence: On Reading Baudrillard in Taiwan.”, <I>The Journal of American-East Asian Relations</I>, 20(1), 364-376.
  • 2018-06
    Teri J. Silvio, 2018, “After creativity: labour, policy, and ideology in East Asian creative industries”, <I>Culture, Theory and Critique</I>, 59(2), 75-80.
  • 2017-07
    Teri J. Silvio, 2017, “Crying Songs and Their Fans: The Material and Affective Economy of Taiwanese Opera, 1945-1975”, <I>POSITIONS-EAST ASIA CULTURES CRITIQUE</I>, 25(3), 469-505.
  • 1999-10
    Teri J. Silvio, 1999, “Bodily Praxis and Identity in Taiwanese Opera.”, <I>GLQ: A Journal of Gay and Lesbian Studies</I>, 5: 585 - 603.
  • 2007
    Teri J. Silvio, 2007, “Remediation and Local Globalizations: How Taiwan’s "Digital Video Knights-errant Puppetry"’ Writes the History of the New Media in Chinese”, <I>Cultural Anthropology</I>, 27(2), 285-313. (SCIE, SSCI) (IF: 2.556; SSCI ranking: 11.8%)
  • 2010-09
    Teri Silvio, 2010, ““Animation: The New Performance?””, <I>Journal of Linguistic Anthropology</I>, 20(2),422-438. (SSCI) (IF: 1.636; SSCI ranking: 27.1%,18.2%)
  • 2009-09
    Teri Silvio, 2009, ““Tai/ Kuso/ Camp: New Opeila and the Structure of Sensibility.””, <I>Inter-Asia Cultural Studies</I>, 10(3):341-360. (SSCI) (IF: 0.722; SSCI ranking: 50%,61.2%)
  • 2007
    Teri J. Silvio, 2007, “Remediation and Local Globalizations: How Taiwan’s "Digital Video Knights-errant Puppetry"’ Writes the History of the New Media in Chinese”, <I>Cultural Anthropology</I>, 27(2), 285-313. (SSCI) (IF: 2.556; SSCI ranking: 11.8%)
  • 2005-06
    司黛蕊，2005，〈胡撇仔的多樣時空：從民族／國家之邊緣看歌仔戲〉，《民俗曲藝》，148: 7-42。(TSSCI)
  • 2010-09
    Teri Silvio, 2010, ““Animation: The New Performance?””, <I>Journal of Linguistic Anthropology</I>, 20(2),422-438. (SSCI) (IF: 1.083; SSCI ranking: 51.6%,42.8%)
  • 2009-09
    Teri Silvio, 2009, ““Tai/ Kuso/ Camp: New Opeila and the Structure of Sensibility.””, <I>Inter-Asia Cultural Studies</I>, 10(3):341-360. (SSCI) (IF: 0.365; SSCI ranking: 87.9%,66.7%)
  • 2007
    Teri J. Silvio, 2007, “Remediation and Local Globalizations: How Taiwan’s "Digital Video Knights-errant Puppetry"’ Writes the History of the New Media in Chinese”, <I>Cultural Anthropology</I>, 27(2), 285-313. (SSCI) (IF: 3.554; SSCI ranking: 2.2%)
  • 2009-07
    Teri Silvio，2009，〈「懷舊的共同體與再合成的自我：金枝演社與台灣春風歌劇團的新胡撇仔戲」〉，《戲劇研究 (Journal of Theater Studies)》，4:1-29。(TSSCI)
  • 2010-09
    Teri Silvio, 2010, ““Animation: The New Performance?””, <I>Journal of Linguistic Anthropology</I>, 20(2),422-438. (SSCI) (IF: 1.872; SSCI ranking: 35.5%,26.8%)
  • 2009-09
    Teri Silvio, 2009, ““Tai/ Kuso/ Camp: New Opeila and the Structure of Sensibility.””, <I>Inter-Asia Cultural Studies</I>, 10(3):341-360. (SSCI) (IF: 0.259; SSCI ranking: 98.9%,86.7%)
  • 2007
    Teri J. Silvio, 2007, “Remediation and Local Globalizations: How Taiwan’s "Digital Video Knights-errant Puppetry"’ Writes the History of the New Media in Chinese”, <I>Cultural Anthropology</I>, 27(2), 285-313. (SSCI) (IF: 3.439; SSCI ranking: 6.5%)
  • 2010-09
    Teri Silvio, 2010, ““Animation: The New Performance?””, <I>Journal of Linguistic Anthropology</I>, 20(2),422-438. (SSCI) (IF: 0.939; SSCI ranking: 67.7%,62.1%)
  • 2009-09
    Teri Silvio, 2009, ““Tai/ Kuso/ Camp: New Opeila and the Structure of Sensibility.””, <I>Inter-Asia Cultural Studies</I>, 10(3):341-360. (SSCI) (IF: 0.482; SSCI ranking: 92.5%,72.1%)
  • 2007
    Teri J. Silvio, 2007, “Remediation and Local Globalizations: How Taiwan’s "Digital Video Knights-errant Puppetry"’ Writes the History of the New Media in Chinese”, <I>Cultural Anthropology</I>, 27(2), 285-313. (SSCI) (IF: 2.526; SSCI ranking: 21.5%)
• 專書(論文集)之一章 (點擊開啟)

  • 2013-11
    司黛蕊，accepted，〈「我們哭得好開心！」戰後歌仔戲的感情結構與台灣女性的生活轉變〉，《台閩民間戲劇國際學術研討會論文集》，頁101-120。
  • 2018
    Teri J. Silvio，2018，〈After creativity: labour, policy, and ideology in East Asian creative industries〉，Teri J. Silvio, Lily H. Chumley編，《Culture, Theory and Critique》，頁59(2) 75-80，London：Taylor & Francis。
  • 2002
    Teri J. Silvio, 2002, “Chinese Opera, Global Cinema, and the Ontology of the Person: Chen 2002 Kaige's Farewell My Concubine”, editor(s): Jeongwon Joe, Rose Theresa, <I>Between Opera and Cinema</I>, pp. 177-198, New York: Routledge.
  • 2002
    Bernard S. Cohn, Teri J. Silvio, 2002, “Race, Gender, and Historical Narrative in the Reconstruction of a Nation: Remembering and Forgetting the American Civil War”, editor(s): Brian K. Axel, <I>From the Margins: Historical Anthropology and Its Futures</I>, pp. 211-229, Durham: NC: Duke University Press.
  • 2019-04-29
    Teri J. Silvio, 2019, “Localizing the Japanese manga system and making folk religion manga-esque: Wei Zongcheng’s Ming Zhan-lu: Final Destiny of the Formosan Gods”, editor(s): Bi-yu Chang, Pei-yin Lin, <I>Positioning Taiwan in a Global Context: Being and Becoming</I>, pp. 262, London, UK: Routledge.
  • 2018-12-06
    司黛蕊，2018，〈萌媽祖：民間宗教在（日系）台灣漫畫的再現〉，林瑋嬪編，《媒介宗教：音樂、影像、物與新媒體》，頁325，台北：國立臺灣大學出版中心。 (Teri J. Silvio, 2018, “Moe Mazu: The Representation of Folk Religion in Taiwanese Japanese System Manga”, <I>Mediating Religion: Music, Image, Object, and New Media</I>, 台北: 國立臺灣大學出版中心)
  • 2018-10-01
    司黛蕊，2018，〈霹靂布袋戲的魅力來自哪裡? 「流行文化」的意義〉，余舜德、劉斐玟、張珣編，《人類學家的我們、你們、他們》，頁279-304，台北：中央研究院民族學研究所。 (Teri J. Silvio, 2018, “What is the Appeal of Pili Puppetry? The Meaning of‘Popular Culture’”, <I>Let’s Go Anthropology</I>, 台北: 中央研究院民族學研究所)
  • 2006
    Teri J. Silvio, 2006, “Informationalized Affect: The Body in Taiwanese Digital-Video Puppetry and COSplay”, editor(s): Fran Martin, Larissa Heinrich, <I>Embodied Modernities: Corporeality, Representation, and Chinese Cultures</I>, pp. 195-217, Honolulu: University of Hawai'i Press.
  • 2018
    司黛蕊，2018，〈霹靂布袋戲的魅力來自哪裡? 「流行文化」的意義〉，余舜德、劉斐玟、張珣編，《人類學家的我、你們、他們》，頁279-304，台北市：中央研究院民族學研究所。 (What is the Appeal of Pili Puppetry? The Meaning of‘Popular Culture)
  • 2013-11
    司黛蕊，2013，〈「我們哭得好開心！」戰後歌仔戲的感情結構與台灣女性的生活轉變〉，施懿琳、陳文松編，《台閩民間戲劇國際學術研討會論文集》，頁101-120，台南市：成大閩南文化研究中。
  • 2010-11-22
    Teri J. Silvio, 2010, ““BL/Q: The Aesthetics of Pili Puppetry Fan Fiction.””, editor(s): Marc L. Moskowitz, <I>Popular Culture in Taiwan: Charismatic Modernity</I>, pp. 149-166, Abingdon, Oxon: Routledge.
  • 2021-09-01
    司黛蕊，2021，〈人類學可以怎樣改變我們的世界？關於格雷伯德公共人類學〉，趙恩潔、林浩立編，《芭樂人類學2：異溫層迷航記》，頁55-64，臺北：讀書共和國。
  • 2018-12-06
    司黛蕊，2018，〈萌媽祖：民間宗教在（日系）台灣漫畫的再現〉(Moe Mazu: The Representation of Folk Religion in Taiwanese Japanese System Manga)，林瑋嬪編，《媒介宗教：音樂、影像、物與新媒體》，頁325，台北：國立臺灣大學出版中心。
  • 2018
    司黛蕊，2018，〈霹靂布袋戲的魅力來自哪裡? 「流行文化」的意義〉(What is the Appeal of Pili Puppetry? The Meaning of‘Popular Culture)，余舜德、劉斐玟、張珣編，《人類學家的我、你們、他們》，頁279-304，台北市：中央研究院民族學研究所。
  • 2008
    Teri J. Silvio, 2008, “Lesbianism and Taiwanese Localism in the Film The Silent Thrush”, editor(s): Peter A. Jackson, Fran Martin, Mark MacLelland, Audrey Yue, <I>Asia Pacifi Queer: Rethinking Gender and Sexuality in the Asia-Pacific</I>, pp. 217-234, Champaign: IL: University of Illinois Press.
  • 2008
    Teri J. Silvio, 2008, “Pop Culture Icons: Religious Inflections of the Character Toy in Taiwan”, editor(s): Frenchy Lunning, <I>Mechademia #3</I>, pp. 200-221, Minneapolis: University of Minnesota Press.
• 學術書評 (點擊開啟)

  • 2013
    Teri Silvio, 2013, “Review of Pink Globalization: Hello Kitty’s Trek across the Pacific (Christine Yano). ”, <I>Asian Anthropology</I>, 12(2), 175-177.
  • 2002
    Teri Silvio, 2002, “Book review of Christine Yano’s Tears of Longing: Nostalgia and the Nation in Japanese Popular Song”, <I>American Ethnologist</I>, 29(4),1013.
  • 2001
    Teri Silvio, 2001, “Book review of Linda Jaivin’s The Monkey and the Dragon: A True Story about Music, Friendship, Politics, and Life on the Edge”, <I>Chinese Studies Association of Australia Newsletter</I>, November,14-15.
  • 2012-06
    Teri Silvio, 2012, “Review of documentary film, “Dancing for the Dead: Funeral Strippers in Taiwan” (dir. Marc Moskowitz, 2011). ”, <I>Journal of Chinese Religions</I>, 40(1), 126-127.
  • 2010
    Teri Silvio，2010，〈Book review of Coming of Age in Second Life: An Anthropologist Explores the Virtually Human (Tom Boellstorff) and Making Virtual Worlds: Linden Lab and Second Life (Thomas Malaby) 〉，《台灣人類學刊》，8(2),151-154。
  • 2010
    Teri Silvio, 2010, “Review of Henry Jenkins’ weblog, “Confessions of an Aca-Fan.””, <I>American Anthropologist</I>, 112(2), 320-320.
  • 2007-1
    Teri Silvio, 2007, “Book review of Nancy Guy’s Peking Opera and Politics in Taiwan”, <I>International Journal of Asian Studies</I>, 4(1),143-145.
• 學位論文 (點擊開啟)

  • 1998-08
    Teri J. Silvio, 1998, “Drag Melodrama/ Feminine Public Sphere/ Folk Television: 'Local Opera' and Identity in Taiwan.”, Department of Anthropology, University of Chicago.
• 學術會議(研討會)論文 (點擊開啟)

  • 2017-11
    Teri J. Silvio, 2017, “Reflexivities and Autobiographies: Taiwanese arty graphic novels vs. manga.”, paper presented at <I>the annual meeting of the American Anthropological Association</I>, Washington, D.C., U.S.A.: the American Anthropological Association, 2017-11-29 ~ 2017-12-03.
  • 2017-06
    Teri J. Silvio, 2017, “Democratizing the Imperial Metaphor through Japanese Manga Style: Taiwanese Deity Toys and Comics”, paper presented at <I>Chinese Religions in City Space and Cyberspace</I>, 集思台大會議中心: National Taiwan University Department of Anthropology, 2017-06-28 ~ 2017-06-29.
  • 2017-05
    Teri J. Silvio, 2017, “Comparing Taiwanese and Hong Kong Art Toy Designers.”, paper presented at <I>Roundtable on "Reflexive Sites: Approaching Taiwan via Hong Kong and Vice Versa," annual meeting of the North American Taiwan Studies Association</I>, Stanford University, California, the United States: North American Taiwan Studies Association, 2017-05-25 ~ 2017-05-27.
  • 2017-05
    Teri J. Silvio，2017，〈Taiwan as Method: From Po-te-hi to Animation as Anthropological Concept〉，發表於Opening Forum: Taiwan as Intersectional Practices, annual meeting of the North American Taiwan Studies Association，Stanford University, California, the United States：North American Taiwan Studies Association，2017-05-25 ~ 2017-05-27。
  • 2017-03
    Teri J. Silvio，2017，〈Thunderbolt Fantasy: Cross-translating the Aesthetics of Taiwanese Puppetry and Japanese Anime〉，發表於the 14th Annual Conference of European Association of Taiwan Studies，the Department of Asian and North African Studies of Ca' Foscar：European Association of Taiwan Studies，2017-03-02 ~ 2017-03-04。
  • 2016-11
    Teri J. Silvio, 2016, “Blank Faces, Ambivalent Identities, and Transnational Address in the Graphic Novels of Lin Li-Ching and Troy Chin”, paper presented at <I>美國人類學協會American Anthropological Association年度會議“Evidence, Accident, Discovery”</I>, 美國Minneapolis, Minnesota: 美國人類學協會American Anthropological Association, 2016-11-16 ~ 2016-11-19.
  • 2016-08
    Teri J. Silvio, 2016, “Localizing the Japanese manga system and making folk religion manga-esque: Wei Zongcheng’s Ming Zhan-Lu: Final Destiny of the Formosan Gods”, paper presented at <I>Taiwan Imagined under the global gaze: The interplay of 'inside' and 'outside' perspectives in the formation of the idea of Taiwan</I>, 英國倫敦: Centre of Taiwan Studies, the School of Oriental and African Studies (SOAS), London, 2016-08-31 ~ 2016-09-02.
  • 2015-11
    TERI J. SILVIO, 2015, ““The (In)Visibility of Local Style: Creative Industry Ideology and Subcultural“The Ang-a Mode of Animation: The Granting of Agency in Chinese/ Taiwanese Religious, Artistic, and Economic Practice.”, paper presented at <I>Institute for Area Studies, Asian Modernities and Traditions lecture series</I>, Leiden, Netherlands: Leiden University, 2015-11-13.
  • 2015-08
    TERI J. SILVIO, 2015, ““Representations of salaried office work and freelance creative labor in Taiwanese and Singaporean comics.””, paper presented at <I>Inter-Asia Cultural Studies Conference, Undercurrents: Unearthing Hidden Social and Discursive Practices</I>, Surabaya, Indonesia: Universitas Airlangga, 2015-08-07 ~ 2015-08-09.
  • 2015-04
    TERI J. SILVIO, 2015, “The (In)Visibility of Local Style: Creative Industry Ideology and Subcultural Practice Among Taiwanese and Hong Kong Art Toy Designers.”, paper presented at <I>he European Association for Taiwan Studies Annual Meeting</I>, Krakow: Jagiellonian University, 2015-04-08 ~ 2015-04-10.
  • 2014-12
    TERI J. SILVIO, 2014, “Fujoshi Nation: The Politics of Personification in Axis Powers Hetalia Fandom”, paper presented at <I>American Anthropological Association Annual Meeting</I>, Washington DC: American Anthropological Association, 2014-12-03 ~ 2014-12-07.
  • 2013-11
    Teri Silvio, 2013, “Cross-Gender Performance in the Age of Digital Media”, paper presented at <I>American Anthropological Association Annual Meeting</I>, Chicago: American Anthropological Association, 2013-11-20 ~ 2013-11-24.
  • 2013-10
    Teri Silvio, 2013, “Axis Powers Hetalia (義呆利)粉絲的國家想像”, paper presented at <I>Taiwan Association of Anthropology and Ethnology Annual Conference</I>, National Chiao Tung University: 台灣人類學與民族學學會, 2013-10-12 ~ 2013-10-13.
  • 2013-07
    Teri Silvio, 2013, “The Impossibility of Immaterial Labor and the Anxieties of Branding: Defining Value in the Taiwan and Hong Kong Design Industries.”, paper presented at <I>Inter-Asia Cultural Studies Annual Conference</I>, National University of Singapore: 亞際文化研究學會, 2013-07-03 ~ 2013-07-05.
  • 2013-05
    Teri Silvio, 2013, “Changing the Story: Women’s Participatory Fandom in Unscripted Taiwanese Opera in the 1950s and 1960s.”, paper presented at <I>台閩民間戲劇國際學術研討會</I>, 國立成功大學: 國立成功大學閩南文化研究中心, 2013-05-25 ~ 2013-05-26.
  • 2012-11
    司黛蕊, 2012, “Fated Intimacy: Cute Deity Figurines and Belief in Taiwan”, paper presented at <I>Annual Meeting of the American Anthropological Association</I>, San Francisco, U.S.A.: American Anthropological Association, 2012-11-14 ~ 2012-11-18.
  • 2003
    Teri Silvio, 2003, ““Lesbians and localism: traditional opera actresses in Taiwan and Hong Kong cinema in the 1990s.””, paper presented at <I>International Convention of Asia Scholars (ICAS) meeting</I>, Singapore: International Convention of Asia Scholars, 2003.
  • 2002-02
    Teri Silvio, 2002, ““Are puppets to local as computers are to global?: Animating fantasies of the Pili puppet serials.” ”, paper presented at <I>Monday lecture, Institute of Ethnology</I>, Institute of Ethnology: Institute of Ethnology, 2002-02-24.
  • 2002
    Teri Silvio, 2002, ““The human body as medium in Taiwanese television puppetry and its fan culture.” ”, paper presented at <I>the annual meetings of the American Anthropological Association</I>, New Orleans: American Anthropological Association, 2002.
  • 2001
    Teri Silvio, 2001, ““Jianghu as Microsoft: Entering/ Animating the Global Hi-Tech Economy in Taiwanese Television Puppet Serials.” ”, paper presented at <I> the annual meetings of the American Anthropological Assocation</I>, Washington DC: American Anthropological Assocation, 2001.
  • 2000
    Teri Silvio, 2000, ““The Backstage Drama: Localism, Sexuality, and Nostalgia in an Emerging Chinese Language Cinema Genre.” ”, paper presented at <I> Asian Research Group, University of Sydney</I>, University of Sydney: University of Sydney, 2000.
  • 1999-06
    Teri Silvio, 1999, ““From Tears to Signs: on the circuit between koa-a-hi (Taiwanese Opera) aesthetics and Taiwanese identity discourse.””, paper presented at <I>Re-Imagining Political Community: Taiwan Facing the New Millennium</I>, University of Wisconsin--Madison: North American Taiwan Studies Association, 1999-06-04 ~ 1999-06-07.
  • 1999
    Teri Silvio, 1999, ““Taiwanese Operas.””, paper presented at <I>the Cultural Awareness Center, Sacramento City College</I>, Sacramento City College: Sacramento City College, 1999.
  • 1998
    Teri Silvio, 1998, “ “Koa-a-hi from Stage to Television: On the ontology of gender identity and the transformation of visual culture in Taiwan.””, paper presented at <I>Maritime China Conference</I>, University of California, Berkeley: University of California, Berkeley, 1998.
  • 2019-11
    Teri J. Silvio, 2019, “Cartoon characters modeling entrepreneurial subjectivity in Taiwan.”, paper presented at <I>The American Anthropological Association Annual Meeting 2019</I>, Vancouver: American Anthropological Association, 2019-11-20 ~ 2019-11-24.
  • 2019-09
    Teri J. Silvio，2019，〈“The Impossibility of National Style: Creative Industry Ideology and Subcultural Practice Among Taiwanese and Hong Kong Art Toy Designers〉，發表於the Sense and Semiosis: Creating Conversations between Linguistic and Visual Anthropology Workshop，Chicago, USA：University of Chicago，2019-09-26 ~ 2019-09-28。
  • 2019-07
    Teri J. Silvio, 2019, “Transitional Objects in Taiwanese Popular Culture”, paper presented at <I>the 23nd Malaysian Conference of Psychological Medicine (MCPM) and First International Conference of the World Psychiatric Association</I>, Kuala Lumpur, Malaysia: World Psychiatric Association & Malaysian Psychiatric Association, 2019-07-11 ~ 2019-07-13.
  • 2018-11
    Teri J. Silvio, 2018, “The Art Toy Expo: where subculture meets mass market”, paper presented at <I>2018 Annual meeting of the American Anthropological Association</I>, San Jose, USA: American Anthropological Association, 2018-11-14 ~ 2018-11-18.
  • 2006-01
    Teri Silvio, 2006, ““COSplay (角色扮演) –資訊化的身體表演.””, paper presented at <I>2006 STS 構思、教學與實踐研習營</I>, 淡水: 中央研究院史語所, 2006-01-12 ~ 2006-01-26.
  • 2005-11
    Teri Silvio, 2005, ““What Post-field?””, paper presented at <I>the annual meetings of the American Anthropological Association</I>, Washington DC: American Anthropological Association, 2005-11-30 ~ 2005-12-04.
  • 2005-08
    Teri Silvio, 2005, “ “霹靂戲迷的COSplay (角色扮演) – 台灣年輕女性的資訊化身體表演.” ”, 189-201 pages, paper presented at <I>台灣布袋戲與傳統文化創意產業研討會</I>, 宜蘭傳藝中心: 國立傳統文化中心, 2005-08-26 ~ 2005-08-27.
  • 2005-06
    Teri Silvio, 2005, ““First as Farce, Then as Tragedy: Popular Allegory and National Analogy in Contemporary Taiwanese Opera.””, paper presented at <I>“Rethinking Modern Chinese History”: An International Conference to Celebrate the 50th Anniversary of the Institute of Modern History</I>, Institute of Modern History, Academia Sinica: Institute of Modern History, Academia Sinica, 2005-06-29 ~ 2005-07-01.
  • 2020-12
    Teri Silvio, 2020, “The Artist as Model Neoliberal Subject: An Emerging Type of Taiwanese Cartoon Character”, paper presented at <I>When Anthropology and History Meet Comics and Animation</I>, 中研院民族所: 中研院民族所, 2020-12-11 ~ 2020-12-12.
  • 2020-10
    Teri Silvio, 2020, “Taiwanese Concepts of Animation: The Intersection of Pili Puppetry and Folk Daoism”, paper presented at <I>Webinar for Department of East Asian Studies</I>, Manchester, UK: Department of East Asian Studies, University of Manchester, 2020-10-14.
  • 2012-08
    司黛蕊, 2012, “Character Goods Design in East Asia and Beyond”, paper presented at <I>Research Cluster on the Cultural and Creative Industries in Asia</I>, Bangalore, India.: Centre for the Study of Culture and Society, 2012-08-03 ~ 2012-08-04.
  • 2012-06
    司黛蕊, 2012, “Producing, Creating, Branding: Ideologies of Labor and Value among Taiwan and Hong Kong Character Goods Designers.”, paper presented at <I>第四屆國際漢學會議</I>, 中央研究院民族學研究所: 中央研究院, 2012-06-20 ~ 2012-06-22.
  • 2011-11
    Teri Silvio, 2011, “Ang-a: On the Agency of Taiwanese Puppets.”, paper presented at <I>the annual conference of the American Anthropologolical Association (AAA)</I>, Montreal, Canada: AAA, 2011-11-16 ~ 2011-11-20.
  • 2011-09
    Teri Silvio, 2011, “Divine Cuteness: on the Intimacy of Deity Figurines.”, paper presented at <I>the East Asian Popular Culture Association Inaugural Conference</I>, 台北: EAPCA, 2011-09-01 ~ 2011-09-04.
  • 2011-09
    Teri Silvio, 2011, “Virtual Agencies: Gender, Religion, andCharacter Toys in Taiwan.”, paper presented at <I>“Light and Shadow in East Asia: Health, Wealth and Hungry Ghosts” International Conference</I>, Osaka, Japan: National Museum of Ethnology, 2011-09-08 ~ 2011-09-11.
  • 2011-03
    Teri Silvio, 2011, “Figuring (Out) Identity: Vinyl Toy Design in Taiwan and Hong Kong.”, paper presented at <I>the annual conference of the Association for Asian Studies (AAS)</I>, Honolulu, Hawaii: AAS, 2011-03-31 ~ 2011-04-03.
  • 2011-02
    Teri Silvio, 2011, “Performance and Animation, Self-making and World-Making.”, paper presented at <I>the World Craft: The Business and Culture of Gaming in East Asia Conference</I>, University of California, Berkeley: University of California, Berkeley, 2011-02-25 ~ 2011-02-26.
  • 2010-12
    Teri Silvio, 2010, “Virtual Agencies: Gender, Religion, and Character Toys in Taiwan”, paper presented at <I>Pop Culture in Asia: Adaption, Convergence and Challenges Conference</I>, Singapore: National University of Singapore Department of History in conjunction with the 2010 Singapore Toys, Games and Comics Convention, 2010-12-10 ~ 2010-12-12.
  • 2010-10
    Teri Silvio, 2010, “Characterizing Marginality: Designer Toys in Taiwan and Hong Kong”, paper presented at <I>台灣人類學與民族學學會 (TSAE)年會</I>, Taipei: nstitute of Ethnology, Academia Sinica, 2010-10-02 ~ 2010-10-03.
  • 2010-06
    Teri Silvio, 2010, ““Notes Towards an Anthropology of Animation.” ”, paper presented at <I>Anthropological Futures Conference</I>, Institute of Ethnology, Academia Sinica: Institute of Ethnology, Academia Sinica, 2010-06-12 ~ 2010-06-13.
  • 2010-03
    Teri Silvio, 2010, “2010 “Making Gods Cute: on Intimacy and Alienation in Contemporary Taiwan.””, paper presented at <I>annual meeting of the Association for Asian Studies</I>, Philadelphia, USA: AAS, 2010-03-25 ~ 2010-03-28.
  • 2009-12
    Teri J. Silvio, 2009, ““Baudrillard in Taiwan.””, paper presented at <I>Annual Meeting of the American Anthropological Association</I>, Philadelphia: American Anthropological Association, 2009-12-02 ~ 2009-12-06.
  • 2009-07
    Teri J. Silvio, 2009, ““Wuxia Ethics and Cute Sprouts: Masculine and Feminine Modes of Engagement with the Pili Puppetry Serials.” ”, paper presented at <I>2009 SEAA/ TSAE Meetings</I>, Institute of Ethnology, Academia Sinica: Institute of Ethnology, Academia Sinica, 2009-07-02 ~ 2009-07-05.
  • 2021-11
    Teri Silvio, 2021, “Cute, Sexy, Composite: Recent Transformations of the Goddess Mazu in Taiwan”, paper presented at <I>American Anthropological Association annual meeting</I>, online: American Anthropological Association, 2021-11-17 ~ 2021-11-21.
  • 2021-03
    Teri Silvio, 2021, “The Self as Cartoon: Modeling Creative Industry Worker Subjectivity in Taiwan”, paper presented at <I>Association for Chinese Animation Studies inaugural conference</I>, Hong Kong, online: Association for Chinese Animation Studies, 2021-03-01 ~ 2021-05-12.
  • 2021-03
    Teri Silvio, 2021, “The Self as Cartoon: Modeling Creative Industry Worker Subjectivity in Taiwan”, 17 pages, paper presented at <I>Association for Chinese Animation Studies inaugural conference</I>, online: Association for Chinese Animation Studies, 2021-03-01 ~ 2021-03-11.
  • 2020-12
    Teri Silvio, 2020, “Animating the Artist as Model Neoliberal Subject: An Emerging Type of Taiwanese Cartoon Character”, paper presented at <I>When Anthropology and History Meet Comics and Animation</I>, 中研院民族所: 中研院民族所, 2020-12-11 ~ 2020-12-12.
  • 2009-07
    Teri J. Silvio, 2009, ““Animation: The New Performance?” ”, paper presented at <I>Asian Digital Cultures 2 Conference</I>, Institute of Ethnology, Academia Sinica: Institute of Ethnology, Academia Sinica, 2009-07-07 ~ 2009-07-08.
  • 2008-10
    Teri Silvio , 2008, ““Wuxia Ethics and Cute Sprouts: Masculine and Feminine Modes of Engagement with the Pili Puppetry Serials.””, paper presented at <I>Charismatic Modernity: Popular Culture in Taiwan</I>, University of South Carolina, Columbia, South Carolina: University of South Carolina, Columbia, South Carolina, 2008-10-03 ~ 2008-10-05.
  • 2008-06
    Teri Silvio, 2008, ““National Nostalgia and Subcultural Subversions: Reflexivity and Community in ‘New Opeila’.””, paper presented at <I>the International Workshop on Narration and Genre</I>, Institute of Ethnology, Academia Sinica: Institute of Ethnology, Academia Sinica, 2008-06-19 ~ 2008-06-20.
  • 2007-11
    Teri Silvio , 2007, ““From working-class comedy to E-generation camp: the transformations of Taiwanese ‘opeila’.””, paper presented at <I>the annual meetings of the American Anthropological Association</I>, Washington D.C.: American Anthropological Association, 2007-11-28 ~ 2007-12-02.
  • 2007-07
    Teri Silvio, 2007, ““Digital Video Puppetry: Modeling Taiwan-Centered Globalization.””, paper presented at <I>Ubiquitous Media: Asian Transformations Conference</I>, Tokyo: Tokyo University, 2007-07-13 ~ 2007-07-16.
  • 2007-06
    Teri Silvio, 2007, ““Writing Ethnography In and For an Adopted Home: Questions of Address.””, paper presented at <I> Inter-Asia Cultural Studies Society Conference</I>, Shanghai University: Shanghai University, 2007-06-15 ~ 2007-06-17.
  • 2007-05
    Teri Silvio, 2007, ““World-class Localism vs. Local Cosmopolitanism: Transformations in Taiwanese Opera Since the 1990s.””, paper presented at <I> Indigeneities and Cosmopolitanisms: CASCA-AES Conference</I>, University of Toronto: University of Toronto, 2007-05-08 ~ 2007-05-12.
  • 2006-12
    Teri Silvio, 2006, ““Puppets and Vinyl Toys: Transitional Objects for Kidults.””, paper presented at <I>「人類學與精神分析的對話」工作坊</I>, 清華大學人文社會學院C310室: 清華大學人類學研究所, 2006-12-10.
  • 2006-07
    Teri Silvio, 2006, ““The Ang-a in the Age of Mechanical Reproduction.””, paper presented at <I>Cultural Studies Association Crossroads Meeting</I>, Istanbul: Istanbul Bilgi University, 2006-07-20 ~ 2006-07-23.
• (點擊開啟)

  • 2012
    《“Go, Figures! The Culture and Charisma of Statues, Puppets, and Dolls” ＜偶的世界, 偶的魅力＞》。特展。司黛蕊導演。2012年。* 展期2012/10/17-2013/07/31 展場:民族學研究所博物館。
  • 2012
    <I>彩虹芭拉 “Rainbow Popcorn: the Lesbian Factory 2</I>. 紀錄片. Directed by 陳素香. Published by in 2012. * Interviewer, Translator, TIWA製作群之一.
  • 2010
    《T婆工廠 “The Lesbian Factory”》。紀錄片，56分鐘。陳素香導演。2010年。* Interviewer, Translator, TIWA製作群之一。